I re-read the whole Sandman series every couple of years. It continues to reward me with surprises and insights. I’m never sure I understand it. So I was delighted to discover (via Alas, a blog) this essay on the meaning of the Sandman.
[Sandman] turns out to concern the decisions one makes about how to be an adult, and the options Gaiman presents have a distinctly ’90s inflection: it may be Gen-Y’s gateway drug to high literature, but when considered in the company of Slacker, Before Sunrise, Reality Bites, Nevermind, Vitalogy, Wonder Boys and, yes, The Corrections, it’s every inch a Gen-X book, a compendium of slacker lassitude, dot-com ambition, Starbucks ennui and battle-0f-Seattle fury.
Sandman asks this ethical and political question: Is it better to accept that the world is the way it is and its constant awful tumult will never change, and thus either do your work to the best of your ability or drop out and do your own thing on the fringes; or should you refuse to accept the reality principle and hew to ethical absolutes with the purpose of making the world better than it is?
Totally read the whole thing.
When I was much younger, I used to read a lot of comic books. I *LOVE* the Sandman series. That comic book has created waves in the literary field because it has won literary awards (and some critics can’t understand why…it’s a comic book for crying out loud). I really like Gaiman’s work. Coraline’s his, Stardust and so is Mirrormask (the latter was incredibly strange). He’s also published several novels, including American Gods and Good Omens.
Most people think it’s a comic book. I really think it’s art and literature. As an adult, it’s the only ‘comic book’ that I buy. His work is ‘out there’ to a lot of people, but I enjoy it.
American Gods is brilliant. Mirrormask is strange, but the strangeness is totally worth it for the “Close To You” scene.
I love how Mirrormask LOOKS like the comic books. 😀
I LOVE the Sandman books. Way better than that “Twilight” crap.