Computer goes wooga-wooga-bap

Yep.

Past couple of weeks, if there’s something in the USB port and you touch it, the computer sometimes just turns off. Like, bap. Off. With the darkness and the not-on-ness. From touching the USB port.

And okay, it’s been the holidays, and Arthur’s been sick, and I just haven’t had the time or energy or spare sanity to deal with this shit.

Last night, Arthur went to bed without removing his USB drive, and my knee touched it, but instead of bap it was wooga-wooga-eeeeeeeeeeeeeeeeee. With scary messages and a black screen that says ZOMG!1! or something like it. So finally I had to turn it off (bap). And then I figure, okay, turn it back on.

Not so much.

I was so frustrated. I can’t believe how addicted I am to sitting on the computer in the evenings. Not to mention the not blogging. I actually had to read a book. The horror!

Anyway, this morning I said to myself, it’s a machine, not a person. A night’s sleep isn’t going to help it. But I couldn’t resist so I just pushed the button.

And it came on.

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New Name for Christmas with the Family

House of Decibels

Figure it out.

Racist Comedy Gaze

So I watched some standup comedy special on Comedy Central. It was a couple of weeks old, but I have a DVR, so there you go. It was a single live performance featuring Dave Attell, D.L. Hughley, and Lewis Black. They performed their routines in that order, and then came out and did a thing together.

At some point, I became aware of the way the camera moved through the audience. You know what I mean; the audience members laughing in response to something the comedian has said.

Everyone shown in the audience for the white comedians was white. Everyone shown in response to Hughley was black.

I don’t get it. I mean, what’s the purpose of that? Is it scary to show white people enjoying Hughely? Does that provoke white anxiety in some way that eludes me? Are Black and Attell so unfunny to blacks that it would be implausible to show black audience members laughing at them? Are the camera operators, incredible as it seems, unaware that they are making racial choices?

There’s certainly a quantity of racial content in any comedian’s routine. Hughley does humor that is more black, Black does humor that is specifically Jewish (and Attell just isn’t fucking funny). And none of that feels racist or problematic. But the audience stuff; I had a real problem with that, and I just. Don’t. Get it.

Merry Christmas

No trivia today. Go be with your families.

By the way, Sun came back. Phew.

Monday Movie Review: Once

Once (2007) 10/10
A Dublin busker (Glen Hansard) meets an Eastern European girl (Markéta Irglová) and they form a friendship that changes both of them. (The IMDb lists this as a 2006 movie, but the awards and such are listing it as 2007.)

I kind of wonder what a professional critic does when confronted by the “nothing much happens” kind of movie. Once is extraordinarily simple, to the point where it almost defies description, yet any reviewer would want to describe it, inasmuch as a description might persuade someone to see it, and it’s worth seeing. But why? Ah, there’s the rub.

The unnamed guy (Hansard) works in his father’s vacuum cleaner repair shop and sings on the street. By day he sings popular tunes to earn tips from passers-by; by night he sings his heartfelt originals. It is at night that the unnamed girl (Irglová) stops to talk to him. She has heard him during both day and night, and loves his original material. He is resistant to her conversation at first; he’s trying to play, not chat, but she is fascinated by him and persists in discussing music, finally getting under his skin by getting him to agree to fix her vacuum. She brings it the next day, and they discuss her own background as a pianist. The conversation is filmed as they walk; charmingly, she drags the vacuum along behind her like a bright blue puppy.

The movie is more than half musical performance, all in the context of musicians making music, and communicating their unspoken feelings through their music. There isn’t a direct lyrics-to-plot relationship; it’s more the level of intensity these people allow themselves is only available when they play, sing, and compose.

This isn’t a conventional romance. From the first, the girl recognizes that the guy’s songs are about a woman he hasn’t gotten over, and she encourages him to find her and win her back with his songs. Yet the friendship they have, as supportive and good and genuinely friendly as it is, seems constantly tinged with a longing to touch and love. Most of which is expressed simply in Hansards enormous blue eyes gazing at her, and Irglová’s delicate, careful turning away.

This is a low-budget film that looks like a home movie, and such films often annoy me. I don’t think looking cheap is a virtue, and I don’t like a shaky camera. But the camera doesn’t shake, and naturalism is the heart of this film; the naturalism of the music, of the characters, of the dialogue; it works perfectly.

What else can I say? The girl’s encouragement inspires the guy and allows him to want more and try for more than he’d dared before. Together they rent a studio to record a demo; neither would have achieved this without the other, but this is never spoken. How people react to the music is persistently delightful.

There are small Irish movies that are relentlessly charming. They whack you over the head with the charming sledge hammer. Look! We’re charming! See how quirky and Irish and quaint we are! Once has nothing in common with those movies; it’s populated by people, not quaint characters, and it is always true to itself.

Sunday Meditation: Accepting Your Own Meditation Style

It is, perhaps, harder to be at peace with your spiritual self than it is to be at peace with yourself overall. (Unless you’re an atheist. I figure “I don’t do that” can be a pretty peaceful state.) By “at peace,” I don’t mean “self-righteous;” to be aggressive and rigid about your path is, I think, a sign of lack of peace.

Because prayer, meditation, and worship have profound goals, we may judge how we do those things harshly, and we may fantasize about doing them more or better or different. And we may be mad at ourselves, or critical of ourselves, when we don’t measure up to this fantasy.

I have never been someone who meditates often or does a lot of private worship. That’s a sucky thing to admit, being a Famous Wiccan Writer® and all, but it’s true. I’m other-directed. I worship best when there are other people around, and Wicca, to me, happens in a circle with other Wiccans.

Now, in my life, I’ve gone through phases about this. I used to be really mad at myself and do the New Year’s Resolution trip about how I was going to meditate every day from now on, just like I would resolve to, I dunno, be more organized or disciplined or exercise or diet or any of the thousand things we think we can fix by resolving. ‘Cause that always works.

And then I recognized that I was externally motivated. I do things when there’s someone expecting me to do it. I clean house when company’s coming. When I plan solitary circles, I cancel if I’m exhausted. When I plan group circles, I suck it up because people are coming over expecting a circle. So in phase two I stopped being mad, but was still kind of ashamed. I should be self-motivated. It would be better if I did more stuff on my own. And I would be really jealous and admiring of people I knew who did have that self-directed spirituality.

Phase three was figuring out that this is who I am, and finding a way to come to peace with it. Knowing that a home altar needs to be really visible or I’d forget about it, I moved mine around several times until I found the right spot. I let go of thoughts about how long it’s been since I meditated, and simply be in this meditation, right now.

Finally, I am in phase four, and truly at peace with it. So much at peace that I don’t mind telling you these things that I used to consider embarrassing. Religion, to me, is mostly about community, and the deep spiritual things that happen, the trances, the visions, the exaltation, tend to happen for me when there is a community around me. And that’s not inferior to doing those things alone. Whatever works.

Friday, as I was getting ready for work, I noticed my Kali altar and noticed I wanted to pray. Okay, it’s been a while. And I didn’t beat myself up. I just lit some incense, offering first the flame, then the incense. I stood at the altar. I chanted “Om Kali Kalike Kalyai Namah Namostute Om” once. Just once. Not 108 times. I made darshan (eye contact with the idol). I took another breath. That was it.

I felt…wonderful. Enriched by the experience. Centered. And I know that if I sat for 108 chants with my mala, that would be powerful in a different way. And that’s okay too.

Happy Winter Solstice, Everyone!

Let’s hope, y’know, the sun comes back.

That’d be nice.

Little gray guy at the bottom of the stairs.

Mighty Mighty Mingo is a Mighty Mighty Mouser (no pictures). We’ve discussed this before. A couple of days ago, Arthur said he saw Mingo with a dead mouse, but he didn’t know where the body was.

I wasn’t worried, I figured it would turn up, and sure enough, when I came downstairs this morning, there it was, all gray and dead on the living room floor. So I went to get a plastic bag to put it in, and another to wrap my hand in while handling it, and I came back.

And froze.

I don’t know. I was suddenly confronted with the unknowability of death. The blank space of it. And for a moment, I simply couldn’t touch it. I’ve cleaned up little post-cat corpses before, I’ve never felt that, but suddenly it was something untouchable.

So that took a few seconds, and I shook it off, and lifted it by the tail, but there it was again. How heavy and stiff the little body was. Probably 2 inches long, not counting the tail, and it felt like it weighed a pound (which is ridiculous), and I thought how much lighter life is than death.

And then, y’know, wrapped it in plastic and threw it away and moved the fuck on. Because my morning need not be about ruminations on mortality. It is much better for it to be about cleaning up the mess in the living room.

Nativities, Pagan displays, and establishment

There’s a really interesting discussion going on at Alas, a blog on the subject of nativity scenes on government property. The post is a couple of days old but the comments remain lively.

The Wild Hunt has also been covering this issue, and while I have a lot to say, I have decided to forgive myself for not having the time for a comprehensive post. Just go visit these other folks.