You so wanted to be me last night

I dreamt that George Clooney was cloned, twice, and me and several other women were test-driving all three men to see if we could pick out the real one.

Monday Movie Review: Kitchen Stories

Kitchen Stories (2003) 8/10
In post-War Scandanavia, a group of researchers, determined to make kitchens more ergonomic, goes to Norway to observe the behavior of bachelor farmers in their kitchens. Folke Nilsson (Tomas Norström) is at first completely shut out by his “host” Isak (Joachim Calmeyer), but gradually things change. (In Swedish and Norwegian, with subtitles)

The first half of Kitchen Stories is filled with a slow, gentle visual comedy. The researchers are meant to be completely unobtrusive, never interacting or speaking with their hosts, and so Isak’s hostility towards Folke is played out in tiny gestures that make me giggle.

Part of it is funny because of the Swedish Design Science nonsense. Mapping the way women (and now men) walk in the kitchen in order to scientifically save them steps. Test kitchens. White-coated observers with stoical faces. The contrast between the scientists, perched on their ridiculous observation stools, and the farmers, eccentric, isolated, scraggly, is funny. Then there is the silent, humorous war between two men, who battle using light switches and the position of laundry.

But there is also a subtext; the film is about the relationship between Norway and Sweden. As an American, I felt I was missing a lot. At one point Folke says that he’s just meant to be an observer, and Isak responds, “You were observers in the War, too.” Later, we learn that Isak’s good friend was in a concentration camp, and no more is said about it, but Folke looks sad and guilty.

So, that’s the part I got. There’s certainly more I didn’t get. A Swedish commenter on IMDb had this to say:

The summary of Salmer fra kjokkenet in imdb places the movie in the “feel good” genre. This may be true for UK citizens, however a swede really gets the shivers alongside with incontrollable laughs while watching this movie.

The horror derives from the fact that since the thirties the Swedish politicians seriously have believed that they were able to shape society with reason and logic. Thus in the movie, there is the “Institute of private homes research”, the object being to develop the most logically structured kitchen, adapted to the average movements of the “normal” house wife.

This excellent movie made in Norway, the neighbouring country of Sweden – which up to 1905 was submitted in a state union with Sweden – makes a very convincing statement about the “swedish mentality”, that is how our welfare state has developed during the past 70 years.

But the fact that there is more content than may be immediately accessible shouldn’t be off-putting. There’s a lot here; about friendship, loneliness, and kindness, that is universal. And there’s the humor. And these charming and reserved characters. I was touched by the film and I definitely enjoyed it.

Ethnic hair

I’ve been learning new ways of doing my hair, and it’s brought up all sorts of stuff. Stuff about ethnicity and whiteness and childhood. This isn’t the first time I’ve found politics in the small things of daily life and it probably won’t be the last. At least this time, we’re not showering.

I hit upon this hairdresser who gave me different advise than I normally get, and so I tried new things, and that opened the door to try more new things, and in short order I developed expertise in styling my very curly hair. I made the frizz go away. I made the handfuls of hair stop falling out daily. And I started changing my look.

I did big bouncy Shirley Temple curls. Small flirty Betty Boop curls. Center part with curls framing my face. Side part with wisps of curls over one eye. Combed straight back with a cascade of curls down my shoulders.

My Curly Girl sisters noticed and complimented me, which encouraged me to do more. And sometimes I’d get a compliment from a co-worker or a friend. But mostly, this was fun I was having with my mirror.

Until I tried blowing it straight.

I didn’t like what blowing it straight looked like. I never use a blow dryer, and letting hair dry naturally lends it a lot more shine and softness with no extra effort. So my hair looked straight, but also a little dry, a little hard.

But everyone flipped out. I mean flipped. “You look glamourous.” “You look like a movie star.” “It’s so 1940s.” And lots and lots, not just of compliments, but of noticing; “What did you do with your hair?” all day long. Which had never happened before.

Now Roberta, who is the one who taught me how to straighten it, told me people would respond to it. “When you have curly hair, they think you have great hair. When you have straight hair, they think you’re pretty.” Which totally I believed, but I was genuinely unprepared for the wave of accolades that accompanied a little blow-drying. Roberta said one more thing; “It’s an ethnic thing.”

She was right. The accolades I got; what I felt, was that I looked…white.

I am white. Grew up in white neighborhoods. Stared at the one table of black kids in the lunch room. But I also grew up very conscious of the difference between white white people and ethnic white people. Not just because of anti-Semitism. Not just because there was only one other Jewish kid in my grade. But because I wasn’t one of Them.

And I don’t actually know how to describe it without talking about hair. I don’t go through what black women go through, the burning and torture. Yet I know the mockery, and I know what it’s like to never see anyone like me in a magazine or shampoo commercial or TV show (except for comic relief).

I remember the women from the comics I read as a kid: Jean Grey, Sue Storm, Karen Page, Gwen Stacy, Mary Jane Watson: All blondes or redheads, all with straight or slightly wavy hair. I latched onto Wanda Maximoff with a passion; the ethnic background and the hair. She was the only one, and I loved her (and a witch too!).

Movies would have it be a class thing. Like Mystic Pizza, with working class, ethnic, curly-haired Julia Roberts and Lili Taylor, gazing towards the whiter, richer, more straightened other side of the tracks. But I grew up in about the mid-range economically and socially of the towns where I lived, and went to school with kids whose parents had about the same amount of money, and wore the same color collars, as my parents. But the curly-haired divide still existed.

You can walk through life, being as white as me, and never notice that you’re not white enough. Until one day, thanks to a blow dryer and waking up extra early, it comes to your attention.

Friday Catblogging: He has a curly tail

I suspect I was trying to snap his cute face when Mingo turned away, but the tail is cute too.

Curly

Persuant to Wicked

Two words I never thought I’d write in the same sentence:

Transvestite Munchkin.

As in, there was a transvestite Munchkin in the ensemble. Twirling a skirted woman while his skirt twirled. Very twirly.

Wicked

We saw Wicked yesterday. We had an amazing experience in pretty much the worst seats in the house. It was fun and funny and smart and touching and wonderfully written and full of surprises. All that.

But it turns out it’s also feminist.

The word “feminism” is never spoken. Indeed, neither is the word “women” except perhaps in passing. No one talks about women or sisterhood or empowerment. Not one bit.

But Wicked passes the Bechdel Movie Test (aka the Mo Movie Measure). The show is about two women (Glinda and the Wicked Witch of the West) and their relationship to each other. Secondarily, there are other relationships, including the Witch’s with her sister and her father, and both women’s relationships with male and female teachers and a romantic handsome prince. But primarily, it’s about the women.

Not to make a point, not to Say Something About Women, but because these are two complex and fascinating characters that carry the show, as complex and fascinating characters can do. And what’s remarkable, what’s practically bizarre, is that a relationship between two fully-fleshed women is so rare that it strikes me as feminist to even see it. (Which is the point of Bechdel’s test.) I mean, I watch these two women on-stage, singing to each other, about each other, and I’m suddenly struck by what an odd thing I’m seeing.

It shouldn’t be odd. It should be human. But there you are.

Answers to Death & Sex Trivia

All solved. Only one hint needed this week, and it was a murderously (hee) hard question. In the Kisses category, Roberta held a coupe.

» Read more..

I’m back!

The site has been down most of the day. Sorry. I’ll get a hint up for our last remaining trivia question in the next few minutes.

UPDATE: Hint is now hinted.

The Glee of Misogyny

So I watched Olberman tonight. I don’t always watch, and I usually love him, but I have noted a certain misogynous tinge to the show, and geez Pete did I notice it tonight.

Olberman closed the show with a snide story on Paris Hilton’s release from prison and the papparazi frenzy that surrounded it. Which, let’s face it, deserved a snide story. His guest on the topic was Michael Musto. Who quipped “As Martin Luther King said, ‘Free at last, Hallelujah, I’m free at last!'” (Yes, he got the quote wrong, but it was mildly amusing.) He then said,

“He also said, ‘Bimbos belong behind bars.'”

Thud.

Why? Because the media frenzy surrounding a meaningless socialite isn’t funny enough unless it’s misogynist? Because we can’t really poke fun at a woman unless we call her a slut? Because bimbos really do belong behind bars and white men on TV get to be the arbiters of bimbohood?

It’s just not funny if we’re not putting women in their place and insulting their sexuality. It’s just not.

Later, Musto said that such-and-such was as unlikely as “Heidi Fleiss opening a soup kitchen. Or opening her legs for free sex.”

Because sluts are funny.

The thing is, with the Paris news, these guys are delighted because they don’t have to hide it. They have the perfect excuse to trot out all their hatred for the bitchez and the pussy and how dare bitchez have pussy? It’s safe to hate Paris.

But we should recognize that it’s not Paris they hate. It’s women. She’s just a convenient example.

Tuesday Trivia: 3 Murder Weapons, 4 Kisses

Murder

1. A pen someone gave him at the party.
Solved by TehipiteTom (comment #3).

2. A hyper-inflating gas pellet.
Solved by norbizness (comment #11).

3. Webley-Fosbery semi-automatic revolver.
HINT: This rare gun belonged to a character much talked about, but never seen on-screen in this classic film noir.
Solved by Melville (comment #18).

Kisses

4. Holding the phone together while listening to a call from an out-of-town friend.
Solved by Roberta (comment #1).

5. Over a dog named Brinkley.
Solved by Roberta (comment #1).

6. In an ice fortress.
Solved by Roberta (comment #1).

7. First they coat themselves in paint, then they kiss in the shower while washing it off.
Solved by TehipiteTom (comment #3).