Archive for Feminism

Endometriosis as Metaphor

Endometriosis is a disease in which part of the endometrium—the lining of the uterus that thickens throughout the month and is shed during menstruation—detaches from the uterus and instead attaches to other parts of the body. Usually it stays in the region of the pelvis, but it can attach to the spine, to nerves, and to organs, causing terrible pain.

In the past year or two, I have had increasing symptoms of perimenopause. To the point where I know longer refer to menstruation as my “period.” It is now my “random.” And one thing I’ve noticed is that my lifelong menstrual and pre-menstrual symptoms are also random, and don’t necessarily coincide with my randoms. They’ve detached themselves from my randoms and attached themselves to other parts of the month. And I thought that endometriosis was the perfect metaphor for what I was going through, an endometriosis of my hormonal changes.

Then I remembered my first marriage. When I was a teenager, I dated a raging alcoholic. After he stopped drinking, I married him. I thought the lack of alcohol would make things better, but in a way, it made things worse. His drunken behaviors still occured, but now, instead of being predictably attached to drinking, they floated randomly throughout life and fired off unpredictably. I realized that these symptoms, too, were like endometriosis; a sort of endometrial alcoholism.

And I thought, Why has no one ever used endometriosis as a metaphor before? It’s not rare (5.5 million sufferers!) or hard to understand. There are all sorts of things that cause problems by detaching themselves from their predicted and ordinary locations.

Which is when I realized the answer: Misogyny. Endometriosis is too gross to use as a metaphor. Cancer isn’t too gross. Cancer is used as a metaphor all the time. Cancer is deadly and foul-smelling and painful and nasty, but not too gross to say that every mold, spore, weed, bad idea, and ugly clothing trend “spreads like a cancer.”

Here are other things that aren’t too vulgar or too unpleasant to use as metaphors: Bowel movements, erections, vomit, impotence, peeing in your pants, fever, being kicked in the balls.

But here are things you never hear used as metaphors: Menstruation, menopause, hot flashes, lactation, vaginal discharge.

You see, not only can’t you say “vagina,” but you can’t be made to think about the icky female things that come out of vaginas (or breasts), even metaphorically. You know how everything you ever wanted to know, you learned in kindergarten? It’s true: Girls have cooties.

Blog for Choice: Why I’m Pro-Choice


Blog for Choice Day - January 22, 2007

I had some good ideas about what I would write today, and then I saw this: This year’s topic is a simple one: tell us, and your readers, why you’re pro-choice.

Which at first I wasn’t going to do, because it is such a simple topic. And then I thought about the anti-choice forces in the world, and I thought, yes, it’s worth saying.

I am pro-choice because women own our own bodies.

See how simple?

When I was doing the preliminary calling* for Call for Change, I got a woman who asked if the candidate I named (Jim Webb) was pro-choice. She was anti-choice, she said, because “If a woman spreads her legs, she should pay the price.”

» Read more..

Blog for Choice Tomorrow


Blog for Choice Day - January 22, 2007

Don’t forget.

She said “no” with her lips, and “no no no” with her eyes

Amanda has a great post up about this “Willful Ignorance” article in American Prospect. (Shakes also has a great post up from a different, and important, perspective.)

Talking about gender-stereotyped abstinence-only education (I know, as if abstinence-only wasn’t bad enough, it’s gender-stereotyped abstinence-only ferfuxake), Amanda says:

teaching that men want sex and women want love but don’t want sex means that young men figure there’s no such thing as an enthusiastic “yes” to sex. If men think all women are reluctant to have sex at all points in time, then that means that they think sex is basically always rape. If you think all sex is rape because women never reallly want sex—as this abstinence-only curricula subtly teaches—then you think that rape is socially acceptable.

That’s vitally important, and it’s an essential element of date-rape and of disbelieving rape victims. “No” only means “no” if “yes” means “yes.”

See, let’s walk away from what it teaches men for a moment and look at what it teaches women. My first reaction is that if they teach young women that only men really want sex, then women will feel defeminized when they get horny. Holy shit, I want sex, I must be a man. Or mannish. Butch. Undesireable because of these unnatural feelings. All that.

But there’s a subtler outcome, which is that a woman will not admit to sexual desire. She wouldn’t want a man to find out that she isn’t really “feminine,” that she has these “masculine” desires. So she’ll say no even when she means yes, because no is the only “female” response.

Creating the feedback loop whence comes the rapist’s mantra: “She said ‘no’ with her lips but ‘yes yes yes’ with her eyes.” You know, “She really wanted it.” Women simply cannot be empowered to say “no” and mean it and have it honored unless they can also be empowered to say “yes” and mean it and get happily healthily fucked. And these crazy abstinence conservatives fear women who enjoy fucking SO MUCH that they’re willing to rob women of our “no.” Small price, they think, for robbing us of our “yes.” Well, my “no” can save my life and my “yes” is too much joy to give up, thankyouverymuch.

Queer Politics

Amanda Marcotte has written an absolutely brilliant “Real consent manifesto.” You should, as the saying goes, read the whole thing.

This paragraph in particular kind of blew my mind:

The feminist concept of enthusiastic consent for sex, or total consent or whatever you want to call it, is such a new, radical idea that apparently it confuses the hell out of people. And it’s absolutely fed by queer politics, if for no other reason than acceptance of homosexuality is basically the acceptance of the idea of relationships between people that aren’t in a power differential for gendered reasons. The notion that sexual relationships could be built on desire and enthusiasm from both parties instead of a series of trade-offs between someone with power and someone without is more radical than I realize a lot of the time.

You know, I’ve given a lot of thought to the relationship between feminism and queer politics, but I’ve never been able to put it so succinctly. This is why, at core, everyone working for feminism is also working for gay rights, and vice versa. And that awareness is crucial to understanding how gender rules are running us all day, every day, without our even realizing it. (But we can realize it.)

Mom on New Year’s Eve

New Year’s Eve, circa 1992–95. House party at my friend Rosie’s. Kids are invited to come, and they play back and forth between Rosie’s daughter’s room and the rooms where the adults are.

I am dressed for New Year’s Eve. Black miniskirt. Stockings. Boots. Some kind of sexy or fancy or festive top. It’s a good party.

At some point, Arthur, who is a little younger than the other kids, wants to go to sleep and needs to be settled into bed. He’s somewhere between two and five years old.

So I tuck him in and lay down with him and sing him a little lullaby and stroke his sweet little forehead until he falls asleep. Which is, face it, kinda boring, and my mind wanders, and I sort of see myself from the outside and I think “This is never an image anyone sees. This is a banned image. I’d like to paint a picture of this.” Of a mom in a miniskirt and boots cuddling a baby to sleep.

It’s perfectly ordinary, really. We don’t actually throw away our hot clothes or our impulse to wear them when we give birth. And I’m not talking about the porn version of a sexy mom, which I won’t even name because then I’ll get hits I don’t want, I’m talking about a human mom with a human sex drive and a human urge to dress up.

It’s a banned image. You can’t see it. Maybe the porn of mom-being-hot, but not the ordinary beauty of hotty-being-mom. If that image was permitted, everything would be different. Everything.

Happy New Year.

Conversation is dangerous

Everyone is talking about this crazy-ass bitch at Townhall who wants the bitches to shut up and I dunno, be barefoot in the kitchen with a black eye or something.

Mary Grabar isn’t pissed off at Nancy Pelosi or Hillary Clinton. Nope. She’s going after The View:

…it’s a sign of our crumbling civilization that a bunch of girls of varying ages and ethnic backgrounds, sitting around all dressed up for a coffee klatch, some of them with cleavage spilling out of Victoria’s Secret Infinity Edge Push-Up bras, spout off opinions borrowed from disturbed teenagers and Michael Moore, and call it a talk show.

This was the danger of giving women the vote. The danger to conservatives (and the survival of this country) is the voting bloc of single women, i.e., those who lack the guidance of a man in the form of a husband or intellectual mentor.

This is sick shit, and other bloggers have smacked it down effectively. But what gets me is how desperate the right has become. It’s not enough to throw misogynist insults at Nancy Pelosi. It’s not enough to imply that Barak Obama is secretly a terrorist. It’s not enough to Swift Boat every Democrat at every turn. Because they’ve done all of that, and Democrats have still regained control of Congress, the American people still want us out of Iraq, and Bush is still woefully unpopular.

So now they have to tell husbands what they should allow their wives to watch on daytime television. Think about how silly that is. How weak and ineffectual. That conservative ideas are so shaky, so meritless, that to protect them they must make sure that liberal women cannot have conversations without being, not ridiculed, but treated as a serious threat to the common good.

When you are in danger even from afternoon talk shows, then afternoon talk shows are indeed the least of your worries.

Women: Dull, or Chris Hitchens: Idiot? You decide

Per Shakes, I learn that brain dead Christopher Hitchens has written an article called “Why Women Aren’t Funny” that Vanity Fair was crass enough to publish.

I’m not going to skewer him, although skewering he deservies, because Shakes already did. And Amanda, and others as well.

No, I just want to tell this story.

When Arthur was five years old, I was tucking him in. I don’t know what I said that made him laugh, one of the ten thousand things I say that make him laugh (and now that he’s older, we make each other laugh, and stuff gets snorted out the nose way much in our house). And he put his tiny five year old hand on my neck and said

“That’s what Moms are for. To be funny.”

Take that, Snitchens.

Monday Movie Review: Stagecoach

Stagecoach (1939) 10/10
A stagecoach trip is complicated by the escape of Geronimo, who is raiding in the region. The motley assortment of passengers each have their reasons for wanting to go ahead anyway, and with last minute additions including the Ringo Kid (John Wayne in his breakout role), they proceed despite the danger.

On the surface, Stagecoach is a straight forward road-trip adventure with an interesting assortment of characters. One could look at it through the eyes of a film historian, and note how unusual such an assortment was, with complex morality and motivations instead of straight-ahead black hat/white hat stuff. From a modern perspective, you might not notice this, as it has become commonplace in films since.

Certainly, it’s fine as a roadtrip with adventures and surprises. Excellent, in fact. But there’s a complex and interesting subtext, about social mores and about sexuality, that I find absolutely fascinating.

Stagecoach was made in 1939, a historic year for film, often thought of as the greatest year cinema ever had. I am struck by Claire Trevor‘s whore-with-a-heart-of-gold role, and by the parallel goldhearted whore in Gone With the Wind (also 1939).

Dallas (Trevor) is being run out of town by the “Decency League,” along with Doc Boone (Thomas Mitchell, in an Academy Award winning performance), the town drunk. Although the word “whore” is never used (hey! 1939!), there is no attempt to hang any window dressing on her; she isn’t a “dance hall girl” or a “singer” or a “flower girl” or someone who “dates a lot.” There is no doubt she is a whore, and now she’s going back to the brothel she came from.

The same is true of Gone With the Wind‘s Belle Watling; there is no doubt who and what she is. It’s so interesting the way this is presented. In GWTW, Belle is meant to parallel Scarlett; she is a mirror held up to Scarlett. Scarlett, by being a businesswoman and socially aggressive, skirts on the edge of violating Southern mores. Belle is specifically compared to her, as both are businesswomen. The contrasting woman is Melanie, delicate, frail, prone to fainting and tenderly, dangerously pregnant in a key scene, Melanie is what a woman is “supposed” to be, but Scarlett rejects that.

The contrasting women to Dallas is Lucy (Louise Platt); married, fiercely loyal, assiduous about propriety, she is a Southern belle who is delicate, frail, and tenderly, dangerously pregnant in a key scene.

(We can’t be meant to miss this! Whores get men but only good women get babies! And strong women are whores or close to it.)

Lucy is so very, very delicate that her pregnancy is invisible. My hand to God, I thought the secret reveal about her illness was going to be TB, and she was going to die in a key scene. I mean, not even an extra-full skirt! Just a sudden need for “lots and lots” of boiled water, and whammo! Baby!

In Stagecoach, all social values are shown to be hypocritical, and all the “bad” people are good. I don’t mean anti-heroes; this isn’t High Sierra; I mean that Dallas, Doc Boone, and Ringo (who has just broken out of jail to kill the man who shot his father in the back) are the people who are compassionate, hard-working, polite, and forgiving, while the banker is an embezzler, the “Decency League” drives good people out of town, the belle is a bitch, and the Southern gentleman is a thief. All of which is really quite a lot of fun and not nearly as heavy-handed as it sounds, mostly because there’s a light touch and interesting characters.

One thing that is absolutely fascinating to observers of gender is the way the romance between Ringo and Dallas is handled. In a significant little conversation, Doc Boone, concerned about the way Ringo is taken with Dallas, asks him how old he was when he was sent to jail. “Seventeen,” Ringo answers. Aha! Too young to know the ways of women, he can’t tell that this is a whore and not a lady. How odd and wonderful that the virgin male is considered the appropriate match for the prostitute. Ultimately, he sees her for who she is and loves her anyway, showing his true decency immediately after killing three men. This is great stuff, kind of thrilling, in the way it takes what we think of as 1939 values and turns them on their head. Whoopeeee!

The left blogosphere has its feet up

I’ve noticed many of my favorite blogs are posting less than usual. I suspect we are just taking a post-election breather. Wake up, look around, yes, Democrats still won both houses, no, not a dream. Go to bed. Wake up, yes…

Anyway, I wanted to remark on the issue of feminist rants. My review yesterday of Something’s Gotta Give was much on my mind when I decided not to make feminist rants a weekly feature. Not that I’d written it yet, but I was sort of formulating it.

And while formulating, I realized that feminism is something that happens for me in looking at the world. In looking at movies and politics and religion and family life. So to confine the idea of “ranting” to its own category isn’t true for me. It’s there in the movie reviews, there in the politics, there everywhere.

And of course I will continue to share it with you.